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Ant-Man and the Wasp picks up in real time after the events of Captain America: Civil War, with Scott close to completing the two years of house arrest that were part of his deal to get out of prison after violating the Sokovia Accords by helping Steve Rogers. However, days before his house arrest is up, Scott reconnects with his former associates Hank Pym (Michael Douglas) and Hope van Dyne (Evangeline Lilly), both of whom are wanted by the FBI and have been on the run for the past two years. During that time, they've assembled a lab where they've been building a Quantum Tunnel in an attempt to rescue Hank's wife and Hope's mother, Janet van Dyne (Michelle Pfeiffer). Janet went missing in the Quantum Realm about 30 years prior, back when Hank believed it was impossible to return - before Scott proved it was possible in Ant-Man.
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Reed and Rudd return for the continuing adventures of Scott Lang in Ant-Man and the Wasp, and both establish the character as a hero within the MCU who can truly lead his own franchise alongside Thor, Captain America, Iron Man, Spider-Man and Black Panther. Ant-Man is, of course, a different kind of hero, one with a sillier sense of humor. The script for Ant-Man and the Wasp - written by Rudd, Chris McKenna and Erik Sommers (Spider-Man: Homecoming), and Andrew Barrer and Gabriel Ferrari (who did uncredited work on the first Ant-Man) - aims to balance that silly humor with the more serious aspects of the movie, particularly the surprisingly jargon-filled scientific moments and the more grounded rescue of Janet. Reed additionally helps to bring that balance, incorporating sight gags at appropriate times, but letting the audience dwell in more dramatic moments when necessary. And Rudd, who's well known for his comedic chops, brings all the charm associated with one of his performances and shines as the film's co-lead.
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Beyond Rudd and Lilly, Ant-Man and the Wasp is rounded out relatively well by the supporting cast and villains. While the film does suffer from some of the same recurring problems in MCU movies - particularly underdeveloped villains and hordes of minions for the heroes to fight with little emotional weight - Ant-Man and the Wasp does try something interesting when developing the character of Ghost. Ultimately, it pays off insofar as John-Kamen's villain is a somewhat well-developed character and has a different arc from many Marvel movie villains. Still, she unfortunately has to share the spotlight with Sonny Birch and the FBI as antagonists to Scott, Hope and Hank - though that's played to great comedic effect in one specific instance that makes it almost worth it. However, with so many villains in the movie and much of the focus going to Ghost, both Sonny Birch and Randall Park's FBI agent Jimmy Woo get the short end of the stick, offering little more than unmemorable forces to battle against the film's heroes or comedic relief.
With so much else going on, the film's supporting players don't get much more than a few shining moments in Ant-Man and the Wasp. Of Scott's friends and family, Peña and Forston especially stand out as Luis and Cassie, respectively. Luis has one particular scene that carries on the joke of the character's fast-talking, superfluous nature to great effect, elevating and expanding on the gag from the first Ant-Man. And Forston has a sweet dynamic with her on-screen dad that paves the way for Cassie Lang to become the superhero she's known to be in the Marvel comics. Ant-Man and the Wasp explores a number of father-daughter dynamics throughout the film, and the one between Scott and Cassie works as an emotional anchor for Scott's character - all while showcasing how he can move forward as both a good father and a superhero. Of course, as the supporting characters in a story about Scott and Hope, the rest are largely relegated to the sidelines.
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